Based on Virginia, who’s more out of touch, Obama or McCain?

Question by Dana1981: Based on Virginia, who’s more out of touch, Obama or McCain?
Obama is visiting Lebanon, Virginia today.

Many in economically distressed rural southwest Virginia earn a living mining coal or farming. But Lebanon’s success at attracting high-tech industry has landed it in the Democrats’ campaign spotlight.

Warner, who is running for Senate, carried the rural area for the Democrats when he ran for governor in 2001. And Warner persuaded CGI and Northrop Grumman Inc. in 2005 to locate in the coal-mining region.

The two companies moved to the region as a less expensive way to do business without sending jobs overseas. Amid the rolling farmland, Northrop Grumman operates a call center and backup data center for Virginia’s state government across from Canada’s CGI Group center, which employs software developers, analysts and consultants.

Former state Attorney General Jerry Kilgore, co-chairman of Republican John McCain’s campaign in Virginia, said Obama is “out of touch” with the region. McCain is more committed to having coal as part of the nation’s energy future than Obama, he said.

http://news.yahoo.com/s/ap/20080909/ap_on_el_pr/obama_rural_virginia;_ylt=AsQ6UKNo5ybAc7s6TQ9C91hh24cA

Obama is focusing on the attraction of high-tech industry to the region.

The McCain campaign’s co-chairman claims Obama is out of touch with Virginia because McCain wants to use more coal power plants in the future.

Who do you think is more out of touch, and why?

Best answer:

Answer by Charles V
High tech is the wave of the future… McCain is way out of touch.

Give your answer to this question below!

Guess Who’s Coming to Dinner

Guess Who’s Coming to Dinner

Spencer Tracy and Katharine Hepburn (who won the Academy Award for Best Actress for her performance) are unforgettable as perplexed parents in this landmark 1967 movie about mixed marriage. Joanna (Katharine Houghton) the beautiful daughter of crusading publisher Matthew Drayton (Tracy) and his patrician wife Christina (Hepburn) returns home with her new fiance John Prentice (Sidney Poitier) a distinguished black doctor. Christina accepts her daughters decision to marry John but Matthew is shocked by this interracial union; the doctors parents are equally dismayed. Both families must sit down face to face and examine each others level of intolerance. In GUESS WHOS COMING TO DINNER director Stanley Kramer has created a masterful study of societys prejudices.System Requirements:Approx. 109 Min. Color StereoFormat: DVD MOVIE Genre: COMEDY Rating:  UPC: 043396054196 Manufacturer No: 05419Spencer Tracy’s last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter’s impending marriage to an African American doctor (Sidney Poitier). The film has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier’s character in every socioeconomic sense a good catch: But what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept a mixed-race relationship? But there’s no denying the drawing power of this movie, which gets most of its integrity from the stirring performances of Tracy and Hepburn. When the former (who had been so ill that the production could not get completion insurance) gives a speech toward the end about race, love, and much else, it’s impossible not to be affected by the last great moment in a great actor’s life and career. –Tom KeoghSpencer Tracy’s last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter’s impending marriage to an African American doctor (Sidney Poitier). The film has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier’s character in every socioeconomic sense a good catch: But what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept a mixed-race relationship? But there’s no denying the drawing power of this movie, which gets most of its integrity from the stirring performances of Tracy and Hepburn. When the former (who had been so ill that the production could not get completion insurance) gives a speech toward the end about race, love, and much else, it’s impossible not to be affected by the last great moment in a great actor’s life and career. –Tom Keogh

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